RME Fireface 802 24 60-Channel USB 2.0 or Firewire Audio Interface

RME Fireface 802 24 60-Channel USB 2.0 or Firewire Audio Interface

The Fireface 802 renews RME’s reputation built on the legendary Fireface 800. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features

Features:

• 30 Input / 30 Output channels
• 12 x Analog I/O
• 4 x Mic/Instrument preamps
• 1 x AES/EBU I/O
• 2 x ADAT I/O
• 1 x SPIDIF (Available through ADAT 2 port)
• 1 x Word Clock I/O
• 1 x MIDI I/O
• FireWire or USB operation
• TotalMix FX software with monitor management
• SteadyClock jitter suppression
• Intelligent Clock Control (ICC) retains sample rate in case of external clock failure
• DigiCheck software offers comprehensive tools for metering, testing, measuring and analyzing audio streams
• Stand-alone operation with setup recall
• Universal power supply ensures worldwide compatibility

Specifications

• AD, Line In 1-8, rear
  • Resolution AD: 24 bit
  • Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
  • Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz - 20.8 kHz
  • Frequency response @ 96 kHz, -0.5 dB: 5 Hz - 45.8 kHz
  • Frequency response @ 192 kHz, -1 dB: 5 Hz - 92 kHz
  • THD: < -110 dB, < 0.00032 %
  • THD+N: < -104 dB, < 0.00063 %
  • Channel separation: > 110 dB
  • Input: 6.3 mm TRS jack, electronically balanced
  • Input sensitivity: 8 kOhm unbalanced, 12 kOhm balanced
  • Input sensitivity switchable to Lo Gain, +4 dBu, -10 dBV
  • Input level for 0 dBFS @ Lo Gain: +19 dBu
  • Input level for 0 dBFS @ +4 dBu: +13 dBu
• DA - Stereo Monitor Output Phones (9-12): As DA, but:
  • Output: 6.3 mm TRS stereo jack, unbalanced
  • Maximum output level at 0 dBFS, High: +16.8 dBu
  • Maximum output level at 0 dBFS, Low: +2 dBV
  • Output impedance: 30 Ohm
  • AES/EBU: 2 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
• Microphone In 9-12, front: As AD, but:
  • Input: XLR, electronically balanced
  • Input impedance: 3.4 kOhm
  • Signal to Noise ratio (SNR): 112 dB RMS unweighted, 116 dBA
  • Gain range: 54 dB
  • Maximum input level, Gain +6 dB: +10 dBu
• Instrument In 9-12, front: As AD, but:
  • Input: 6.3 mm TS jack, unbalanced
  • Input impedance: 800 kOhm
  • Signal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA
  • Maximum input level, Gain +6 dB: +21 dBu
• DA, Line Out 1-8, rear:
  • Dynamic range (DR): 115 dB RMS unweighted, 118 dBA
  • Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz - 20.8 kHz
  • Frequency response @ 96 kHz, -0.5 dB: 5 Hz - 45 kHz
  • Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz
  • THD: -110 dB, < 0.00032 %
  • THD+N: -104 dB, < 0.00063 %
  • Channel separation: > 110 dB
  • Output: 6.3 mm TRS jack, servo-balanced
  • Output impedance: 75 Ohm
  • Output level switchable Hi Gain, +4 dBu, -10 dBV
  • Output level at 0 dBFS @ Hi Gain: +19 dBu
  • Output level at 0 dBFS @ +4 dBu: +13 dBu
  • Output level at 0 dBFS @ -10 dBV: +2 dBV
  • ADAT OPTICAL:
    • 2 x TOSLINK I/O, format according to Alesis specification
    • Standard: 2 x 8 channels 24 bit, up to 48 kHz
    • Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
    • Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
    • Quad Speed Windows USB: 1 x 2 channels 24 bit 192 kHz
  • SPDIF OPTICAL (VIA ADAT2):
    • 1 x optical, according to IEC 60958
  • WORD CLOCK:
    • BNC, switchable termination