Mackie 1402-VLZ PRO 14-Channel Analog PA Mixer

Mackie 1402-VLZ PRO 14-Channel Analog PA Mixer

Mackie’s 1402-VLZ PRO combines the compact size of the 1202-VLZ PRO with added features and 60mm log-taper faders. Its six new “audiophile” XDR™ Extended Dynamic Range mic preamps offer the best RFI rejection of any compact mixer design. Added benefits include maximum freedom from ground loops and impeccable sonic performance that meets or exceeds the specs of esoteric, out-board mic preamplifiers.

Features:

• 14-channel mixer featuring Mackie signature high-headroom/low-noise design
• 6 boutique-quality Onyx mic preamps
• Ultra-wide 60dB gain range
• 128.5 dB dynamic range
• +22 dBu line input handling
• Extended frequency response
• Distortion under 0.0007% (20Hz – 50kHz)
• Improved RF rejection perfect for broadcast applications
• Phantom power for condenser mics
• 14 high-headroom line inputs with +4/-10 operation control
• 3-band EQ (80Hz, 2.5kHz, 12kHz)
• 18 dB/oct 75Hz low-cut filter on mic input channels
• 2 aux sends, level, pan and PFL solo on each channel
• 60mm long-wearing log-taper faders
• 2 stereo returns for connecting FX processor or other stereo source
• ALT 3/4 stereo bus for added routing flexibility
• Control room / phones source matrix
• High-resolution 12-segment stereo meters
• Sealed rotary control resist dust and grime
• “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
• High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
• Rack-mountable design using optional rack ear kit
• Multi-voltage power supply for worldwide use

Specifications:

• Main Mix Noise:
  • 20 Hz–20 kHz bandwidth, 1/4" main out, channels 1-4 gain @ unity, channel EQs flat, all channels assigned to main mix, channels 1, 3 and 5 panned left, 2, 4 and 6 panned right.
    • Main Mix Knob Down, Channel Gain Knobs Down: –101 dBu
    • Main Mix Knob @ Unity, Channel Gain Knobs Down: –91 dBu
  • 90 dB Signal to Noise Ratio, ref +4 dBu
    • Main Mix Knob @ Unity, Channel Gain Knobs @ Unity: –86 dBu
• Total Harmonic Distortion (THD):
  • 1 kHz @ 35 dB gain, 20 Hz–20 kHz bandwidth
  • Mic Pre @ Insert: <0.0007%
• Attenuation / Crosstalk:
  • 1 kHz relative to 0 dBu, 20 Hz–20 kHz bandwidth, line in, 1/4" main out, gain @ unity
    • Main Mix Fader Down: –100 dBu
    • Channel Alt / Mute Switch Engaged: –90 dBu
    • Channel Gain Fader Down: –90 dBu
• Frequency Response:
  • Mic input to main output (gain @ unity)
    • +0, –1 dB, 20 Hz to 50 kHz
    • +0, –3 dB, 100 kHz
• Equivalent Input Noise (EIN):
  • Mic input to insert send out, max gain
    • 150 Ohm Termination: –128.5 dBu, 20 Hz–20 kHz
• Common Mode Rejection Ratio (CMRR):
  • 1 kHz: Better than –70 dB
• Maximum Levels:
  • Mic In: +22 dBu
  • Tape In: +16 dBu
  • All Other Inputs: +22 dBu
  • Main Mix XLR Out: +28 dBu
  • All Other Outputs: +22 dBu
• Impedances:
  • Mic In: 2.5 k ohm
  • Channel Insert Return: 2.5 k ohm
  • All Other Inputs: 100 k ohm or greater
  • Tape Out: 1.1 k ohm
  • All Other Outputs: 120 ohm
• Equalization:
  • High Shelving: ±15 dB @ 12 kHz
  • Mid Peaking: ±15 dB @ 2.5 kHz
  • Low Shelving: ±15 dB @ 80 Hz
• AC Power Requirements:
  • Power Consumption: 25 watts
  • US, JP: 100 – 120 VAC, 50 – 60 Hz
  • EU, UK, AU, CN: 200 – 240 VAC, 50 – 60 Hz
• Operating Temperature:
  • 0 ° – 40 °C
  • 32 ° – 104 °F
• Fuse Rating:
  • 100-120V: 500 mA slo blo, 5 x 20 mm
  • 220-240V: 250 mA slo blo, 5 x 20 mm
• Physical Properties:
  • Height: 12.5 in / 317 mm
  • Depth: 3.2 in / 81 mm
  • Width: 14.0 in / 356 mm
  • Weight: 9.5 lb / 4.5 kg