Atomos SHOGUN7 HD 7-Inch Monitor Recorder
Designed for professionals that push boundaries with the quality of their videos, this 7-inch screen elevates the image captured by any HDMI or SDI camera to new levels. With 1,000,000:1 contrast ratio and peak brightness of 3000nits, Shogun 7 is the ultimate all-in-one video production tool.
Shogun 7 embraces the high production values of RAW and 4K HDR to give you complete control of every aspect of your production, on-set and in post. Meticulously monitor every pixel of SDR or HDR as it’s captured. Record up to 5.7K Apple ProRes RAW* or 4K Apple ProRes. You can even shoot RAW at high frame rates up to HDp240**.
*Panasonic EVA1 **Sony FS Series and EVA1
Specifications:
- Physical Specifications:
- Dimensions: (W x H x D mm) 214 x 127 x 45
- Weight: 709g / 25oz.
- Mount points: 1 x Anti rotation 1/4" / 3/8 top and bottom
- Environmental:
- Ambient operating temperature: Up to 40° C
- Construction and Control:
- Body: Polycarbonate ABS Plastic
- Cooling: Actively controlled fan and Heat Sink
- Tally light: Rear and front
- Multi-function button: Power / lock Screen
- Power:
- Input voltage: 6.2V to 16.8V
- Operating power: 10 - 33W
- Compatible batteries: NPF L series
- Built in battery: No
- Battery Run time (Record): 5200mAh - up to 1.5hrs (monitor & record 4K 30p) / 7800mAh - up to 2.2hrs (monitor & record 4K 30p)
- Continuous power: Dual battery slots
- DC in connector: DC jack 2.1mm
- Dtap: Via optional DTap to DC cable
- Display:
- Touchscreen: SuperAtom IPS panel (capacitive touch)
- Size: 7.2"
- Resolution: 1920 x 1200
- PPI: 327
- Bit depth: 10-bit (8+2 FRC)
- Backlight Type: Dynamic zoned back light, Dynamic Full Array Local Dimming (FALD) 360 Zones
- Brightness (cdm2 / nits) 1500 / 3000 Peak HDR brightness
- Aspect ratio 1 :9
- Color Gamut: DCI-P3 (D65)
- Calibration support: Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
- Color Pipeline
- Gamma: Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
- Gamut: BT2020, DCI P3, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
- 3D LUT Display: .Cube Format
- 3D LUT Down Stream: Loop out
- 3DLUT 50/50: Yes
- Monitoring Modes: Native / HLG / PQ / 3D LUT
- HDR output Conversion: No
- Video Input
- HDMI: 1 x HDMI (2.0) 4k p60
- SDI: Quad link 3G SDI, with 2 x 12G SDI backwards compatible, auto detection
- Bit Depth: 8/10Bit Video / RAW up to 16Bit
- Video Chroma Subsampling: 4:2:2
- Metadata
- HDMI: RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
- SDI: File Name from Arri, RED
- Video Output
- HDMI: 1 x HDMI (2.0) 4k p60
- SDI loop out: 1 x 2 x 12G SDI Backwards compatible Auto detection
- SDI Play out: 2 x2 x 12G SDI Backwards compatible Autodetection level A and B selectable
- Video Chroma Subsampling: 422
- Bit Depth: 10Bit Video
- Web Streaming
- USB UVC: Optional via Connect 4k
- Video Signal Conversion
- HDMI to SDI: Yes - Video and RAW
- SDI to HDMI: Yes - Video and RAW
- Audio In/Out
- Audio Quality: 24/48kHz
- Audio Codec: PCM
- HDMI: 8ch 24Bit, input dependent
- SDI: 12ch 24Bit, input dependent
- Analogue Audio in: XLR via Optional Break out cable
- Analogue Audio Out: XLR via Optional Break out cable
- Headphone out: 3.5mm 2ch.
- Timecode / Sync
- Embedded: HDMI and SDI
- Time of day: Yes, Time and Date
- LTC: LTC via BNC input in Record mode
- Genlock: GenLock in Playback mode
- Resolution and Frame Rates (Record, Monitor & Playback)
- 6k: RAW Only up to 30p via SDI Only
- 4k DCI: 23.98/24/25/29.9/30/50/59.94/60p
- 4k UHD: 23.98/24/25/29.9/30/50/59.94/60p
- 2K DCI: 23 2046 x 1080 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p
- FHD 1920 x 1080 Progressive: 23.98/24/25/29.9/30/50/59.94/60/100/120p
- FHD 1920 x 1080 PsF: Converted to P and looped out PsF
- FHD 1920 x 1080 Interlaced: 23.98/24/25/29.9/30/50/59.94/60i
- 1280 x 720p: 50/59.94/60p
- Recording CODEC
- CDNG: For SDI RAW inputs Only
- Apple ProRes RAW: ProRes RAW, HQ
- Apple ProRes: LT, 422, 422HQ
- Avid DNxHD: DNxHD 220x,220,145,36
- Avid DNxHR: LB, SQ, HQ, HQX.
- Playback
- Playlist: Yes, Create customer play lists from full or sub clips
- Loop: Yes, with user customisable in / out markers
- Apple ProRes Raw: Yes, recorded clips
- Apple ProRes: Yes, with Linear PCM audio
- Avid DNx: Yes, with Linear PCM audio
- Recording functions
- Pre-roll record: Yes (HD 8s, 4K 2s) - Not available in RAW
- ISO Record: Up to 4 x ISO up to 1080p 60 (3G SDI Level A ONLY)
- Switched Program Record: Yes Up to 1080p 60
- Multi Input / Switching
- SDI A/B toggle: Yes, Up support up to 12G SDI per input
- Dual Input display: Via Multi ISO input mode
- Multiple SDI input: Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
- Input transitions: Auto or manual XML transition
- Supported media
- Master Caddy I: Not compatible
- SSDmini: Yes with optional SSDmini handle
- File Naming: Unit Name - Scene/Shot/Take, Arri & RED via SDI
- File System: ExFAT
- On screen tools
- Waveform: Yes, 3 size / Position
- RGB parade: Yes, 3 size / Position
- Vector scope: Yes, 2 size / Position
- 1 x Zoom: Yes. 1:1 Pixel mapping for 4k
- 2 x Zoom: Yes
- Focus peaking: Colour selected / threshold setting / colour/ Mono / edges only
- False colour: Yes, with Scale
- Zebra: Yes, Adjustable
- Isolate color channel: Blue Only
- Cine Frame Guides: 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
- Social Frame guides: 9:16, 1:1, 191:1, 4:5
- Safe areas: Action and Graphic
- Grid markers: 9 grid
- Anamorphic desqueeze: 1.25x 1.33x , 1.5x ,1.8x ,2x
- Display Flip: Vertical Only
- Onboard Signal Processing
- Pulldown Removal: 24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown)
- 4K UHD Downscale for HD: Loop out - 4K UHD to FHD
- DCI Crop: Loop out - 17:9 to 16:9 Crop
- Remote control
- HDMI: Auto HDMI Trigger, Supported Protocols - Canon, Sony,Atomos Open Standard
- SDI: SDI trigger camera selectable
- Serial 2.5mm Jack: LANC control and calibration via optional USB to serial cable
- Supported Applications
- XML: Cut tag EDL and Multicam with transitions in FCP XML
- Apple ProRes RAW: Apple FCP, Adobe Premiere, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light
- Video Codecs: All applications with support for Apple ProRes and Avid DNX in .MOV wrapper
- What’s in the box
- Accessories included: Shogun 7 unit, Master Caddy II x 1, International power supply, carry case, quick start guide
- Optional extras: 7" Accessory kit, Sunhood, DC to DTap, Power kit, UltraSync One,HDMI cables, USB to serial cable
- Dimensions: (W x H x D mm) 214 x 127 x 45
- Weight: 709g / 25oz.
- Mount points: 1 x Anti rotation 1/4" / 3/8 top and bottom
- Ambient operating temperature: Up to 40° C
- Body: Polycarbonate ABS Plastic
- Cooling: Actively controlled fan and Heat Sink
- Tally light: Rear and front
- Multi-function button: Power / lock Screen
- Input voltage: 6.2V to 16.8V
- Operating power: 10 - 33W
- Compatible batteries: NPF L series
- Built in battery: No
- Battery Run time (Record): 5200mAh - up to 1.5hrs (monitor & record 4K 30p) / 7800mAh - up to 2.2hrs (monitor & record 4K 30p)
- Continuous power: Dual battery slots
- DC in connector: DC jack 2.1mm
- Dtap: Via optional DTap to DC cable
- Touchscreen: SuperAtom IPS panel (capacitive touch)
- Size: 7.2"
- Resolution: 1920 x 1200
- PPI: 327
- Bit depth: 10-bit (8+2 FRC)
- Backlight Type: Dynamic zoned back light, Dynamic Full Array Local Dimming (FALD) 360 Zones
- Brightness (cdm2 / nits) 1500 / 3000 Peak HDR brightness
- Aspect ratio 1 :9
- Color Gamut: DCI-P3 (D65)
- Calibration support: Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
- Gamma: Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
- Gamut: BT2020, DCI P3, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
- 3D LUT Display: .Cube Format
- 3D LUT Down Stream: Loop out
- 3DLUT 50/50: Yes
- Monitoring Modes: Native / HLG / PQ / 3D LUT
- HDR output Conversion: No
- HDMI: 1 x HDMI (2.0) 4k p60
- SDI: Quad link 3G SDI, with 2 x 12G SDI backwards compatible, auto detection
- Bit Depth: 8/10Bit Video / RAW up to 16Bit
- Video Chroma Subsampling: 4:2:2
- HDMI: RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
- SDI: File Name from Arri, RED
- HDMI: 1 x HDMI (2.0) 4k p60
- SDI loop out: 1 x 2 x 12G SDI Backwards compatible Auto detection
- SDI Play out: 2 x2 x 12G SDI Backwards compatible Autodetection level A and B selectable
- Video Chroma Subsampling: 422
- Bit Depth: 10Bit Video
- USB UVC: Optional via Connect 4k
- HDMI to SDI: Yes - Video and RAW
- SDI to HDMI: Yes - Video and RAW
- Audio Quality: 24/48kHz
- Audio Codec: PCM
- HDMI: 8ch 24Bit, input dependent
- SDI: 12ch 24Bit, input dependent
- Analogue Audio in: XLR via Optional Break out cable
- Analogue Audio Out: XLR via Optional Break out cable
- Headphone out: 3.5mm 2ch.
- Embedded: HDMI and SDI
- Time of day: Yes, Time and Date
- LTC: LTC via BNC input in Record mode
- Genlock: GenLock in Playback mode
- 6k: RAW Only up to 30p via SDI Only
- 4k DCI: 23.98/24/25/29.9/30/50/59.94/60p
- 4k UHD: 23.98/24/25/29.9/30/50/59.94/60p
- 2K DCI: 23 2046 x 1080 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p
- FHD 1920 x 1080 Progressive: 23.98/24/25/29.9/30/50/59.94/60/100/120p
- FHD 1920 x 1080 PsF: Converted to P and looped out PsF
- FHD 1920 x 1080 Interlaced: 23.98/24/25/29.9/30/50/59.94/60i
- 1280 x 720p: 50/59.94/60p
- CDNG: For SDI RAW inputs Only
- Apple ProRes RAW: ProRes RAW, HQ
- Apple ProRes: LT, 422, 422HQ
- Avid DNxHD: DNxHD 220x,220,145,36
- Avid DNxHR: LB, SQ, HQ, HQX.
- Playlist: Yes, Create customer play lists from full or sub clips
- Loop: Yes, with user customisable in / out markers
- Apple ProRes Raw: Yes, recorded clips
- Apple ProRes: Yes, with Linear PCM audio
- Avid DNx: Yes, with Linear PCM audio
- Pre-roll record: Yes (HD 8s, 4K 2s) - Not available in RAW
- ISO Record: Up to 4 x ISO up to 1080p 60 (3G SDI Level A ONLY)
- Switched Program Record: Yes Up to 1080p 60
- SDI A/B toggle: Yes, Up support up to 12G SDI per input
- Dual Input display: Via Multi ISO input mode
- Multiple SDI input: Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
- Input transitions: Auto or manual XML transition
- Master Caddy I: Not compatible
- SSDmini: Yes with optional SSDmini handle
- File Naming: Unit Name - Scene/Shot/Take, Arri & RED via SDI
- File System: ExFAT
- Waveform: Yes, 3 size / Position
- RGB parade: Yes, 3 size / Position
- Vector scope: Yes, 2 size / Position
- 1 x Zoom: Yes. 1:1 Pixel mapping for 4k
- 2 x Zoom: Yes
- Focus peaking: Colour selected / threshold setting / colour/ Mono / edges only
- False colour: Yes, with Scale
- Zebra: Yes, Adjustable
- Isolate color channel: Blue Only
- Cine Frame Guides: 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
- Social Frame guides: 9:16, 1:1, 191:1, 4:5
- Safe areas: Action and Graphic
- Grid markers: 9 grid
- Anamorphic desqueeze: 1.25x 1.33x , 1.5x ,1.8x ,2x
- Display Flip: Vertical Only
- Pulldown Removal: 24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown)
- 4K UHD Downscale for HD: Loop out - 4K UHD to FHD
- DCI Crop: Loop out - 17:9 to 16:9 Crop
- HDMI: Auto HDMI Trigger, Supported Protocols - Canon, Sony,Atomos Open Standard
- SDI: SDI trigger camera selectable
- Serial 2.5mm Jack: LANC control and calibration via optional USB to serial cable
- XML: Cut tag EDL and Multicam with transitions in FCP XML
- Apple ProRes RAW: Apple FCP, Adobe Premiere, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light
- Video Codecs: All applications with support for Apple ProRes and Avid DNX in .MOV wrapper
- Accessories included: Shogun 7 unit, Master Caddy II x 1, International power supply, carry case, quick start guide
- Optional extras: 7" Accessory kit, Sunhood, DC to DTap, Power kit, UltraSync One,HDMI cables, USB to serial cable
