RME Fireface UFX II 60-Channel Hi-Performance USB 2 Audio Interface

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Description

RME Fireface UFX II 60-Channel Hi-Performance USB 2.0 Audio Interface

The Fireface UFX II from RME is a flexible USB 2.0 audio interface that provides a total of 60 channels of crystal-clear and transparent audio, at resolutions up to 24-bit/192 kHz. It offers four digitally controlled preamps, reference-class AD/DA converters, ultra-low latency operation combined with exceptional driver stability, and is ideal for recording, mixing, and monitoring applications in high-end home studios and commercial audio production facilities.

Features:

  • 30-in/30-out USB 2.0 audio interface with reference-class converters and full 24-bit/192 kHz operation – crystal-clear, transparent audio for high-end home studios and commercial audio production facilities
  • SteadyClock: Jitter-immune, super-stable digital clock – converters operate independently from external clock signals, for a pristine sound quality
  • Four digitally-controlled, high-transparency preamps feed eight A/D converters – every microphone channel uses a double, parallel A/D conversion on two A/D converters at the same time to reach exceptional signal-to-noise values and performance level not available with classic converter design
  • Bright multi-functional color display with full front-panel metering for all 60 channels plus effect bus, and complete control of all key features - directly from the front of the UFX II
  • 2 x high-speed low-jitter MIDI I/Os (32 channels)
  • DURec (Direct USB Recording) integrated digital recorder – record all inputs and outputs directly to USB thumb drives or hard drives with up to 2TB capacity, via the front USB port without the need for a computer
  • TotalMix FX latency-free, real-time mixer allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs – can be fully controlled on an iPad with TotalMix FX for iPad app (available separately)
  • TotalMix FX provides 3-band parametric equalizer, low-cut, echo, reverb, compressor, expander, and auto-level
  • Standalone operation – using the three rotary encoders and the color display the Fireface UFX II can be configured and set up completely at the device
  • Setup Recall – internal memory allows for the permanent storage of six different states of the unit
  • Operates in driver-based USB 2.0 and Class Compliant modes
  • Integrates with RME ARC USB remote controller (available separately)

Specifications

  • Analog:
    • AD, Line In 1-8, rear:
      • Resolution AD: 24 bit
      • Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
      • Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz
      • Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.8 kHz
      • Frequency response @ 192 kHz, -1 dB: 2 Hz – 92 kHz
      • THD: < -110 dB, < 0.00032 %
      • THD+N: < -104 dB, < 0.00063 %
      • Channel separation: > 110 dB
      • Maximum input level: +19 dBu
      • Input: 6.3 mm TRS jack, electronically balanced
      • Input impedance: 8 kOhm unbalanced, 12 kOhm balanced
      • Input sensitivity switchable to Lo Gain, +4 dBu
      • Input level for 0 dBFS @ Lo Gain: +19 dBu
      • Input level for 0 dBFS @ +4 dBu: +13 dBu
      • Variable gain: 0 to +12 dB
      • Minimum level for 0 dBFS: +1 dBu, -1.2 dBV
    • Microphone In 9-12, front - As AD, but:
      • Input: XLR, electronically balanced
      • Input impedance: 3.4 kOhm
      • Signal to Noise ratio (SNR): 115 dB RMS unweighted, 118 dBA
      • Gain range: 75 dB
      • Maximum input level, Gain 0 dB: +18 dBu
      • Maximum input level, Gain 75 dB: -57 dBu
      • CLIP LED: 0 dBFS • SIG LED: -60 dBFS
    • Instrument In 9-12, front - As AD, but:
      • Input: 6.3 mm TS jack, unbalanced
      • Input impedance: 1 MOhm
      • Signal to Noise ratio (SNR): 114 dB RMS unweighted, 118 dBA
      • Gain range: 42 dB
      • Maximum input level, Gain 8 dB: +21 dBu
      • Maximum input level, Gain 50 dB: -21 dBu
    • DA, Line Out 3-8, rear
      • Resolution: 24 bit
      • Dynamic range (DR): 115 dB RMS unweighted, 118 dBA
      • Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz – 20.8 kHz
      • Frequency response @ 96 kHz, -0.5 dB: 5 Hz – 45 kHz
      • Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz
      • THD: < -110 dB, < 0.00032 %
      • THD+N: < -104 dB, < 0.00063 %
      • Channel separation: > 110 dB
      • Maximum output level: +19 dBu
      • Output: 6.3 mm TRS jack, servo-balanced
      • Output impedance: 75 Ohm unbalanced, 150 Ohm balanced
      • Output level switchable Hi Gain, +4 dBu, -10 dBV
      • Output level at 0 dBFS @ Hi Gain: +19 dBu
      • Output level at 0 dBFS @ +4 dBu: +13 dBu
      • Output level at 0 dBFS @ -10 dBV: +2 dBV
    • DA - Stereo Monitor Output XLR (1-2) - As DA, but:
      • Output: XLR, balanced
      • Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV
      • Output level at 0 dBFS @ 24 dBu: +24 dBu
      • Output level at 0 dBFS @ Hi Gain: +19 dBu
      • Output level at 0 dBFS @ +4 dBu: +13 dBu
      • Output level at 0 dBFS @ -10 dBV: +2 dBV
    • DA - Stereo Monitor Output Phones (9-12) - As DA, but:
      • Output: 2 x 6.3 mm TRS stereo jack, unbalanced
      • Maximum output level at 0 dBFS, High: +19 dBu
      • Maximum output level at 0 dBFS, Low: +2 dBV
      • Output impedance: 2 Ohm
      • Max power per channel @ 32 Ohm load, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu)
  • MIDI:
    • 2 x MIDI I/O via 5-pin DIN jacks
    • Galvanically isolated by optocoupled input
    • Hi-speed mode: Jitter and response time typically below 1 ms
    • Separate 128 byte FIFOs for input and output
  • Digital:
    • Clocks: Internal, ADAT, AES, MADI, word clock
    • Low Jitter Design: < 1 ns in PLL mode, all inputs
    • Internal clock: 800 ps Jitter, Random Spread Spectrum
    • Jitter suppression of external clocks: > 30 dB (2.4 kHz)
    • Effective clock jitter influence on AD and DA conversion: near zero
    • PLL ensures zero dropout, even at more than 100 ns jitter
    • Digital Bitclock PLL for trouble-free varispeed ADAT operation
    • Supported sample rates: 28 kHz up to 200 kHz
  • Digital Inputs:
    • AES/EBU:
      • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
      • High-sensitivity input stage (< 0.3 Vpp) • SPDIF compatible (IEC 60958)
      • Accepts Consumer and Professional format
      • Lock range: 27 kHz – 200 kHz
      • Jitter when synced to input signal: < 1 ns
      • Jitter suppression: > 30 dB (2.4 kHz)
    • ADAT Optical:
      • 2 x TOSLINK, format according to Alesis specification
      • Standard: 2 x 8 channels 24 bit, up to 48 kHz
      • Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
      • Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
      • Bitclock PLL ensures perfect synchronisation even in varispeed operation
      • Lock range: 31.5 kHz – 50 kHz • Jitter when synced to input signal: < 1
    • SPDIF optical (ADAT2):
      • 1 x optical, according to IEC 60958
      • Accepts Consumer and Professional format
      • Lock range: 27 kHz – 200 kHz
      • Jitter when synced to input signal: < 1 ns
      • Jitter suppression: > 30 dB (2.4 kHz)
    • Word Clock:
      • BNC
      • Internal termination 75 Ohm switchable
      • Automatic Double/Quad Speed detection and internal conversion to Single Speed
      • SteadyClock guarantees super low jitter synchronization even in varispeed operation
      • Not affected by DC-offsets within the network
      • Signal Adaptation Circuit: signal refresh through auto-center and hysteresis
      • Overvoltage protection
      • Level range: 1.0 Vpp – 5.6 Vpp
      • Lock Range: 27 kHz – 200 kHz
      • Jitter when synced to input signal: < 1 ns
      • Jitter suppression: > 30 dB (2.4 kHz)
  • Digital Outputs:
    • AES/EBU:
      • XLR, transformer-balanced, galvanically isolated, according to AES3-1992
      • Output level Professional 4.5 Vpp, Consumer 2.6 Vpp
      • Format Professional according to AES3-1992 Amendment 4
      • Format Consumer (SPDIF) according to IEC 60958
      • Single Wire mode, sample rate 28 kHz up to 200 kHz
    • ADAT:
      • 2 x TOSLINK
      • Standard: 2 x 8 channels 24 bit, up to 48 kHz
      • Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
      • Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
    • SPDIF optical (ADAT2):
      • Format Consumer (SPDIF) according to IEC 60958
      • Sample rate 28 kHz up to 200 kHz
    • Word Clock:
      • BNC
      • Max. output voltage: 5 Vpp
      • Output voltage @ 75 Ohm termination: 4.0 Vpp
      • Output impedance: 10 Ohm
      • Frequency range: 27 kHz – 200 kHz
  • General:
    • Power supply: Internal switching PSU, 100 - 240 V AC, 36 Watts
    • Idle power consumption: 19 Watts
    • Typical power consumption: 22-25 Watts
    • Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19" x 1.73" x 8.5")
    • Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3" x 1.73" x 8.3")
    • Total depth: 240 mm (9.4”)
    • Weight: 3 kg ( 6.6 lbs)
    • Temperature range: +5° up to +50° Celsius (41° F up to 122°F)
    • Relative humidity: < 75%, non condensing

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