RME Fireface UFX II 60-Channel Hi-Performance USB 2 Audio Interface

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Unfortunately the RME Fireface UFX II 60-Channel Hi-Performance USB 2 Audio Interface is no longer available. This page is here for reference. Check out the great alternatives on this page, or contact us to speak with one of our sales advisors about similar products.

Need help? Contact our product specialists.

Description

RME Fireface UFX II 60-Channel Hi-Performance USB 2.0 Audio Interface

The Fireface UFX II from RME is a flexible USB 2.0 audio interface that provides a total of 60 channels of crystal-clear and transparent audio, at resolutions up to 24-bit/192 kHz. It offers four digitally controlled preamps, reference-class AD/DA converters, ultra-low latency operation combined with exceptional driver stability, and is ideal for recording, mixing, and monitoring applications in high-end home studios and commercial audio production facilities.

Features:

  • 30-in/30-out USB 2.0 audio interface with reference-class converters and full 24-bit/192 kHz operation – crystal-clear, transparent audio for high-end home studios and commercial audio production facilities
  • SteadyClock: Jitter-immune, super-stable digital clock – converters operate independently from external clock signals, for a pristine sound quality
  • Four digitally-controlled, high-transparency preamps feed eight A/D converters – every microphone channel uses a double, parallel A/D conversion on two A/D converters at the same time to reach exceptional signal-to-noise values and performance level not available with classic converter design
  • Bright multi-functional color display with full front-panel metering for all 60 channels plus effect bus, and complete control of all key features - directly from the front of the UFX II
  • 2 x high-speed low-jitter MIDI I/Os (32 channels)
  • DURec (Direct USB Recording) integrated digital recorder – record all inputs and outputs directly to USB thumb drives or hard drives with up to 2TB capacity, via the front USB port without the need for a computer
  • TotalMix FX latency-free, real-time mixer allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs – can be fully controlled on an iPad with TotalMix FX for iPad app (available separately)
  • TotalMix FX provides 3-band parametric equalizer, low-cut, echo, reverb, compressor, expander, and auto-level
  • Standalone operation – using the three rotary encoders and the color display the Fireface UFX II can be configured and set up completely at the device
  • Setup Recall – internal memory allows for the permanent storage of six different states of the unit
  • Operates in driver-based USB 2.0 and Class Compliant modes
  • Integrates with RME ARC USB remote controller (available separately)

Specifications

  • Analog:
    • AD, Line In 1-8, rear:
      • Resolution AD: 24 bit
      • Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
      • Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz
      • Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.8 kHz
      • Frequency response @ 192 kHz, -1 dB: 2 Hz – 92 kHz
      • THD: < -110 dB, < 0.00032 %
      • THD+N: < -104 dB, < 0.00063 %
      • Channel separation: > 110 dB
      • Maximum input level: +19 dBu
      • Input: 6.3 mm TRS jack, electronically balanced
      • Input impedance: 8 kOhm unbalanced, 12 kOhm balanced
      • Input sensitivity switchable to Lo Gain, +4 dBu
      • Input level for 0 dBFS @ Lo Gain: +19 dBu
      • Input level for 0 dBFS @ +4 dBu: +13 dBu
      • Variable gain: 0 to +12 dB
      • Minimum level for 0 dBFS: +1 dBu, -1.2 dBV
    • Microphone In 9-12, front - As AD, but:
      • Input: XLR, electronically balanced
      • Input impedance: 3.4 kOhm
      • Signal to Noise ratio (SNR): 115 dB RMS unweighted, 118 dBA
      • Gain range: 75 dB
      • Maximum input level, Gain 0 dB: +18 dBu
      • Maximum input level, Gain 75 dB: -57 dBu
      • CLIP LED: 0 dBFS • SIG LED: -60 dBFS
    • Instrument In 9-12, front - As AD, but:
      • Input: 6.3 mm TS jack, unbalanced
      • Input impedance: 1 MOhm
      • Signal to Noise ratio (SNR): 114 dB RMS unweighted, 118 dBA
      • Gain range: 42 dB
      • Maximum input level, Gain 8 dB: +21 dBu
      • Maximum input level, Gain 50 dB: -21 dBu
    • DA, Line Out 3-8, rear
      • Resolution: 24 bit
      • Dynamic range (DR): 115 dB RMS unweighted, 118 dBA
      • Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz – 20.8 kHz
      • Frequency response @ 96 kHz, -0.5 dB: 5 Hz – 45 kHz
      • Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz
      • THD: < -110 dB, < 0.00032 %
      • THD+N: < -104 dB, < 0.00063 %
      • Channel separation: > 110 dB
      • Maximum output level: +19 dBu
      • Output: 6.3 mm TRS jack, servo-balanced
      • Output impedance: 75 Ohm unbalanced, 150 Ohm balanced
      • Output level switchable Hi Gain, +4 dBu, -10 dBV
      • Output level at 0 dBFS @ Hi Gain: +19 dBu
      • Output level at 0 dBFS @ +4 dBu: +13 dBu
      • Output level at 0 dBFS @ -10 dBV: +2 dBV
    • DA - Stereo Monitor Output XLR (1-2) - As DA, but:
      • Output: XLR, balanced
      • Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV
      • Output level at 0 dBFS @ 24 dBu: +24 dBu
      • Output level at 0 dBFS @ Hi Gain: +19 dBu
      • Output level at 0 dBFS @ +4 dBu: +13 dBu
      • Output level at 0 dBFS @ -10 dBV: +2 dBV
    • DA - Stereo Monitor Output Phones (9-12) - As DA, but:
      • Output: 2 x 6.3 mm TRS stereo jack, unbalanced
      • Maximum output level at 0 dBFS, High: +19 dBu
      • Maximum output level at 0 dBFS, Low: +2 dBV
      • Output impedance: 2 Ohm
      • Max power per channel @ 32 Ohm load, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu)
  • MIDI:
    • 2 x MIDI I/O via 5-pin DIN jacks
    • Galvanically isolated by optocoupled input
    • Hi-speed mode: Jitter and response time typically below 1 ms
    • Separate 128 byte FIFOs for input and output
  • Digital:
    • Clocks: Internal, ADAT, AES, MADI, word clock
    • Low Jitter Design: < 1 ns in PLL mode, all inputs
    • Internal clock: 800 ps Jitter, Random Spread Spectrum
    • Jitter suppression of external clocks: > 30 dB (2.4 kHz)
    • Effective clock jitter influence on AD and DA conversion: near zero
    • PLL ensures zero dropout, even at more than 100 ns jitter
    • Digital Bitclock PLL for trouble-free varispeed ADAT operation
    • Supported sample rates: 28 kHz up to 200 kHz
  • Digital Inputs:
    • AES/EBU:
      • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
      • High-sensitivity input stage (< 0.3 Vpp) • SPDIF compatible (IEC 60958)
      • Accepts Consumer and Professional format
      • Lock range: 27 kHz – 200 kHz
      • Jitter when synced to input signal: < 1 ns
      • Jitter suppression: > 30 dB (2.4 kHz)
    • ADAT Optical:
      • 2 x TOSLINK, format according to Alesis specification
      • Standard: 2 x 8 channels 24 bit, up to 48 kHz
      • Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
      • Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
      • Bitclock PLL ensures perfect synchronisation even in varispeed operation
      • Lock range: 31.5 kHz – 50 kHz • Jitter when synced to input signal: < 1
    • SPDIF optical (ADAT2):
      • 1 x optical, according to IEC 60958
      • Accepts Consumer and Professional format
      • Lock range: 27 kHz – 200 kHz
      • Jitter when synced to input signal: < 1 ns
      • Jitter suppression: > 30 dB (2.4 kHz)
    • Word Clock:
      • BNC
      • Internal termination 75 Ohm switchable
      • Automatic Double/Quad Speed detection and internal conversion to Single Speed
      • SteadyClock guarantees super low jitter synchronization even in varispeed operation
      • Not affected by DC-offsets within the network
      • Signal Adaptation Circuit: signal refresh through auto-center and hysteresis
      • Overvoltage protection
      • Level range: 1.0 Vpp – 5.6 Vpp
      • Lock Range: 27 kHz – 200 kHz
      • Jitter when synced to input signal: < 1 ns
      • Jitter suppression: > 30 dB (2.4 kHz)
  • Digital Outputs:
    • AES/EBU:
      • XLR, transformer-balanced, galvanically isolated, according to AES3-1992
      • Output level Professional 4.5 Vpp, Consumer 2.6 Vpp
      • Format Professional according to AES3-1992 Amendment 4
      • Format Consumer (SPDIF) according to IEC 60958
      • Single Wire mode, sample rate 28 kHz up to 200 kHz
    • ADAT:
      • 2 x TOSLINK
      • Standard: 2 x 8 channels 24 bit, up to 48 kHz
      • Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
      • Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
    • SPDIF optical (ADAT2):
      • Format Consumer (SPDIF) according to IEC 60958
      • Sample rate 28 kHz up to 200 kHz
    • Word Clock:
      • BNC
      • Max. output voltage: 5 Vpp
      • Output voltage @ 75 Ohm termination: 4.0 Vpp
      • Output impedance: 10 Ohm
      • Frequency range: 27 kHz – 200 kHz
  • General:
    • Power supply: Internal switching PSU, 100 - 240 V AC, 36 Watts
    • Idle power consumption: 19 Watts
    • Typical power consumption: 22-25 Watts
    • Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19" x 1.73" x 8.5")
    • Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3" x 1.73" x 8.3")
    • Total depth: 240 mm (9.4”)
    • Weight: 3 kg ( 6.6 lbs)
    • Temperature range: +5° up to +50° Celsius (41° F up to 122°F)
    • Relative humidity: < 75%, non condensing

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