RME Fireface UCX II 40-Channel 192 Kilohertz USB Audio Interface

More RME Audio products

Write a review Q&A SKU: FF-UCX-II Solotech ID#: 111902
1 of 3
Available options
Get a quote

Need help? Contact our product specialists.

View full details

Need help? Contact our product specialists.

Description

RME Fireface UCX II 40-Channel 192 Kilohertz USB Audio Interface

The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact advanced interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.

Features:

  • All settings can be changed in real-time
  • Buffer sizes/latencies from 48 up to 8192 samples selectable
  • 4 channels 96 kHz/24 bit Record/Playback via ADAT optical (S/MUX)
  • 2 channels 192 kHz/24 bit Record/Playback via ADAT optical (S/MUX4)
  • Clock modes slave and master
  • Automatic and intelligent master/slave clock control
  • Unsurpassed Bitclock PLL (audio synchronization) in ADAT mode
  • SteadyClock FS: Jitter-immune, super-stable digital clock
  • DDS technology for free setting of the sample rate
  • SyncAlign guarantees sample aligned and never swapping channels
  • SyncCheck tests and reports the synchronization status of input signals
  • TotalMix for latency-free submixes and perfect ASIO Direct Monitoring
  • TotalMix: 800 channel mixer with 46 bit internal resolution
  • TotalMix FX: 3-band EQ, Low Cut, Reverb, Echo, Compressor, Expander, Auto Level
  • 1 x MIDI I/O, 16 channels high-speed Low-Jitter MIDI
  • 1 x Hi-power low impedance headphone output
  • DIGICheck DSP: Level meter in hardware, peak- and RMS calculation

Specifications:

  • Analog:
    • AD, Line In 5-8, rear:
      • Resolution AD: 24 bit
      • Signal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA
      • Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz
      • Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.8 kHz
      • Frequency response @ 192 kHz, -1 dB: 2 Hz – 92 kHz
      • THD: < -110 dB, < 0.00032 %
      • THD+N: < -104 dB, < 0.00063 %
      • Channel separation: > 110 dB
      • Input: 6.3 mm TRS jack, electronically balanced
      • Input impedance: 8 kOhm unbalanced, 12 kOhm balanced
      • Input sensitivity switchable to +19 dBu and +13 dBu
      • Variable gain: 0 to +12 dB
      • Minimum level for 0 dBFS: +1 dBu, -1.2 dBV
    • Line In 3-4, front:
      • As AD, but:
      • Additional Gain stage: 0 up to +12 dB
      • Maximum input level, +19 dBu, Gain 0 dB: Line +19 dBu, Inst +13 dBu
      • Maximum input level, +13 dBu, Gain 12 dB: Line +1 dBu, Inst -5 dBu
      • Input impedance: Instrument 1 MOhm. Line 13 kOhm balanced, 9 kOhm unbalanced
      • Input Gain Inst: +6 dB
      • Input mode: Line balanced (TRS), Inst unbalanced (TS)
    • Microphone In 1-2, front:
      • As AD, but:
      • Input: XLR, electronically balanced
      • Input impedance: 5.4 kOhm
      • Gain range: 75 dB
      • Maximum input level, Gain 0 dB: +18 dBu
      • Maximum input level, Gain 75 dB: -57 dBu
      • EIN: -128 dBu A-weighted, 60 dB gain,150 Ohm, 20 Hz – 20 kHz
    • Line In 1-2:
      • As AD, but:
      • Input: TRS, electronically balanced
      • Input impedance: 10 kOhm balanced, 5 kOhm unbalanced
      • Maximum input level, Gain 0 dB: +24 dBu
      • Maximum input level, Gain 75 dB: -51 dBu
    • DA, Line Out 1-6, rear:
      • Resolution: 24 bit
      • Dynamic range (DR): 112 dB RMS unweighted, 115 dBA
      • Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz – 20.8 kHz
      • Frequency response @ 96 kHz, -0.5 dB: 5 Hz – 45 kHz
      • Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz
      • THD: < -108 dB, < 0.0004 %
      • THD+N: < -104 dB, < 0.00063 %
      • Channel separation: > 110 dB
      • Maximum output level: +19 dBu
      • Output: 6.3 mm TRS jack, servo-balanced
      • Output impedance: 75 Ohm
      • Output level switchable +19 dBu, +13 dBu, +4 dBu
    • DA - Stereo Monitor Output Phones (7-8):
      • As DA, but:
      • Output: 6.3 mm TRS stereo jack, unbalanced
      • Maximum output level at 0 dBFS, High: +19 dBu
      • Maximum output level at 0 dBFS, Low: +4 dBu
      • Output impedance: 1 Ohm
      • Max power per channel @ 32 Ohm load, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu)
  • MIDI:
    • 1 x MIDI I/O via 5-pin DIN jacks
    • Galvanically isolated by optocoupled input
    • Hi-speed mode: Jitter and response time typically below 1 ms
    • Separate 128 byte FIFOs for input and output
  • Digital:
    • Clocks: Internal, ADAT, AES, SPDIF, word clock
    • Jitter suppression of external clocks: > 50 dB (2.4 kHz)
    • Effective clock jitter influence on AD and DA conversion: near zero
    • PLL ensures zero dropout, even at more than 100 ns jitter
    • Digital Bitclock PLL for trouble-free varispeed ADAT operation
    • Supported sample rates: 28 kHz up to 200 kHz
  • Digital Inputs:
    • AES/EBU:
      • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
      • High-sensitivity input stage (< 0.3 Vpp)
      • SPDIF compatible (IEC 60958)
      • Accepts Consumer and Professional format
      • Lock range: 27 kHz – 200 kHz
      • Jitter suppression: > 50 dB (2.4 kHz)
    • SPDIF coaxial:
      • 1 x RCA, according to IEC 60958
      • High-sensitivity input stage (< 0.3 Vpp)
      • Accepts Consumer and Professional format, copy protection will be ignored
      • Lock Range: 27 kHz – 200 kHz
      • Jitter suppression: > 50 dB (2.4 kHz)
    • ADAT Optical:
      • 1 x TOSLINK, format according to Alesis specification
      • Standard: 8 channels 24 bit, up to 48 kHz
      • Double Speed (S/MUX): 4 channels 24 bit 96 kHz
      • Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz
      • Bitclock PLL ensures perfect synchronisation even in varispeed operation
      • Lock range: 31.5 kHz – 50 kHz
      • Jitter suppression: > 50 dB (2.4 kHz)
      • SPDIF compatible (automatic detection)
    • Word Clock:
      • BNC
      • Internal termination 75 Ohm switchable
      • Automatic Double/Quad Speed detection and internal conversion to Single Speed
      • SteadyClock guarantees super low jitter synchronization even in varispeed operation
      • Not affected by DC-offsets within the network
      • Signal Adaptation Circuit: signal refresh through auto-center and hysteresis
      • Overvoltage protection
      • Level range: 1.0 Vpp – 5.6 Vpp
      • Lock Range: 27 kHz – 200 kHz
      • Jitter suppression: > 50 dB (2.4 kHz)
  • Digital Outputs:
    • AES/EBU:
      • XLR, transformer-balanced, galvanically isolated, according to AES3-1992
      • Output level Professional 4.5 Vpp, Consumer 2.6 Vpp
      • Format Professional according to AES3-1992 Amendment 4
      • Format Consumer (SPDIF) according to IEC 60958
      • Single Wire mode, sample rate 28 kHz up to 200 kHz
    • SPDIF coaxial:
      • 1 x RCA, according to IEC 60958
      • Output level Professional 1.2 Vpp, Consumer 0.6 Vpp
      • Format Professional according to AES3-1992 Amendment 4
      • Format Consumer (SPDIF) according to IEC 60958
      • Single Wire mode, sample rate 28 kHz up to 200 kHz
    • ADAT:
      • 1 x TOSLINK, format according to Alesis specification
      • Standard: 8 channels 24 bit, up to 48 kHz
      • Double Speed (S/MUX): 4 channels 24 bit 96 kHz
      • Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz
    • Word Clock:
      • BNC
      • Max. output voltage: 5 Vpp
      • Output voltage @ 75 Ohm termination: 4.0 Vpp
      • Output impedance: 10 Ohm
      • Frequency range: 27 kHz – 200 kHz
  • General:
    • Power supply: external power supply
    • Typical power consumption: 13 Watts
    • Current at 12 Volt operating voltage: 910 mA (11 Watts)
    • Dimensions incl. rack ears, full depth (WxHxD): 258 x 44 x 155 mm (10.16" x 1.73" x 6.1")
    • Dimensions without rack ears, body depth (WxHxD): 215 x 44 x 130 mm (8.5" x 1.73" x 5.1")
    • Weight: 910 g ( 2.0 lbs)
    • Temperature range: +5° up to +50° Celsius (41° F up to 122°F)
    • Relative humidity: < 75%, non condensing

Reviews

Write a review

Score

Questions & Answers

Ask a question

Most Popular Accessories & Related Items

Allow Solotech to become your partner and help your nightclub audio, video lighting project achieve its best results with our professional and courteous factory trained expert sales advisors. No project or gear need is too small, so make the call today!

  • Ask the experts

    Our expert team guides customers towards the best equipment solutions, ensuring unparalleled performance and customer satisfaction.

    Ask an expert here 
  • Financing Options

    We offer flexible financing options, starting at 0% APR. Our financing plans provide customers with the opportunity to acquire top-quality audio, DJ, and lighting equipment with ease and convenience.

    Explore more financing options 
  • Rewards Program

    Join our Rewards Program today and enjoy the benefits of smart shopping!

    Visit our rewards page